Desert Island Rapper
We’ve all gotten a taste of isolation over the past year. Despite the wealth of media the internet provides us, the experience nonetheless drives home the idea of the “desert island album,” that old game in which you name a single album you would like to have if stranded on a desert island, and argue the reasons why.
For this essay I’d like you to choose your desert island rapper. If you could only listen to one rapper, who would it be, and why? They can be contemporary or old school. Make a case for them: why should we pay attention to this artist? Why should their work be included not only in places like rap-specific anthologies, but in places representative of all of English Literature? Show us why this rapper should be part of the canon of Great Works (the label this course falls under).
Your discussion may include a look at this artist’s use of poetic devices, a consideration of how their work holds up when compared to other works of literature (or, how well does their work explore the intricacies of human nature?), and how this work might be read in terms of the historical and cultural contexts out of which it was born. It can also include personal experience, anecdotes, opinion, etc. Make it lively.
Requirements: 1,750 words
Answer preview
KRS One attracts attention since he has a significant position in hip-hop history. Indeed, growing up in the United States, nothing is more significant than exploring icons of liberatory texts for the empowerment of minority groups. Since Rap music informs confrontation of critical issues of race by voicing inner feelings, his works cannot be ignored. The origin of Hip-hop music is traced to the 1970s in South Bronx, New York. Due to poor urban planning in the 1960s, radical changes occurred in the city, diminishing the quality of life for the minority groups (Parmar, 28). Think of drug addiction, crime, and unemployment as significant issues and how the youth would engage in artistic works for entertainment and cultural expressions.
KRS One was born in 1965, and KRS One and his peers DJ Scott La Roc and D-nice founded Boogie Down Productions when he was only 22 years. While the group’s membership would change significantly over time, KRS One was the only member who remained
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