Music Television (MTV) started broadcasting in 1981 and went on to change the music industry around the world. By the second year of broadcasting, “I want my MTV!” became the advertising campaign slogan.
This simple advertising hook articulated the channel’s goal of a larger broadcast area but put it in the mouth of the intended viewer—a young rock and roll fan. People who did not have access to MTV but heard about it from friends or the media called their cable provider saying “I want my MTV.” Well-known rock artists like Billy Idol, Madonna, Stevie Nicks, and Mick Jagger appeared in commercials saying “I want my MTV.”
By 1985, the media conglomerate Viacom had bought the parent company of MTV and the programming moved away from 24/7 music videos to music pop culture news shows, and by the 1990s, reality shows like The Real World, 16 and Pregnant, Jersey Shore, and adult-themed animated shows like Beavis and Butt-head dominated the programming. Although the channel is still called MTV, it rarely shows music videos. The original sense of rebellion that MTV capitalized on had disappeared. The shared experience of being in the know, having seen the latest music video also disappeared.
Each summer, the United Kingdom shares a musical experience called the Proms. Started in 1895, the Proms (short for promenade concert) is a series of concerts that takes place across the U.K. and is broadcast on the taxpayer-supported BBC network. The Proms has become one of the largest shared experiences in the U.K., bringing the nation together over music. Sharing a musical experience can bring a community together, but first the community needs access.
Review this week’s Learning Resources as well as the student contributed resource.
Cultural Strategy: Using Innovative Ideologies to Build Breakthrough Brands, by Holt, D.; Cameron, D. Copyright 2012 by Oxford University Press – Books (US & UK). Reprinted by permission of Oxford University Press – Books (US & UK) via the Copyright Clearance Center.
Please write at least 300 words (in total for three discussions), and Reference in the end.
Book: Volume A of the Norton Anthology of World Literature
The Invocation/Proem and the Identity of Homer
Review the biographical information about Homer and the background on his two great epic poems, the Iliad and the Odyssey, both dating from 8th Century BCE Greece (which was not yet Greece, but a variety of city states with diverse governments that shared a common language – Ancient Greek – and a common cultural heritage – the Hellenic culture). Then look at the opening stanza of Book I of the Iliad, commonly called “the Invocation” or the “Proem.”
Who, or what, is being invoked here? Does this invocation remind you in any way of other ancient texts you might be familiar with, i.e. other epic poems or the Bible?
Who was Homer, and what is known about him? Why do we think of him as being the “author” of the Homeric poems, when, as with, for example, the epic of Gilgamesh or the Old Testament, much of the source material – the various myths and stories – were a preexisting part of the oral culture, in this case the 8th century BCE Hellenic world? In what way was Homer an author? How is his work in the production of the Iliad and the Odyssey different from that of the unnamed compositor(s) of Genesis, for example? How can thinking about Homer and his invocation help us to understand what it might mean, in western culture, to be an author?
As usual, use these questions to develop an idea for discussion. You need not answer all of them, of course; they’re just to prompt your response to the text. You may want to use a quote or two from the Iliad (or one of the other works) to support your ideas.
Review all the compressed events relayed in Book I, and look at the “General Questions” handout (available under the “Course Materials” tab) under “Exposition and Setting.” What kind of background information is given in Book I that sets the story in motion? What would happen to the story if one of the chain of events were removed from the story? What role does the idea of cause and effect play in the narrative, and how might that presentation of a fictional world influence contemporaneous (that is, Homer’s 8th Century Hellenic audience) “readers” (really, Homer’s audience would have listened to a recitation of the poem, in song form, as most of the audience would not have been literate)? In other worlds, what kind of a world is Homer introducing in the Iliad? How is that world different in its nature from the worlds presented by other ancient epics?
As usual, you should use these questions to develop an idea for a response, and use one or more brief quotations as you develop your discussion.
3.The Ancient Greek Gods
Thinking about the Iliad, what is the role of the gods in the story? What kind of forces do they represent? And what kind of relationship do they suggest between mankind and the divine? What agency (that is, what power to control or shape events) do people have? What agency to the gods have? What is the ultimate power? Does Homer give his audience any help as they struggle to understand their place in the universe? In other words, if you were looking for answers to the big questions about the meaning of life, what conclusions might you draw from the cosmology presented by Homer in the Iliad?
You may want to review some important passages that include the gods (the invocation; Apollo’s plague, in Book I; Achilles prayer to his mother, Thetis, a demigod; the drama between Thetis and Zeus and Hera; the role of Zeus as father of Sarpedon; the creation of the shield of Achilles by Hepheastus; any of Athena’s many interventions in the war) and ask yourself how we are supposed to understand the dynamic role of these gods in the story? Are they metaphorical interventions? You may also want to compare these gods as they are presented by Homer and by his contemporary Hesiod.
As usual, use these questions to come up with an idea to write about and use a quote or two in your discussion.
There are three main strategies for analyzing works of art: contextual theory, formal theory, and expressive theory. Last week you used expressive theory to discuss a work of art by relating it to the life of the artist. This week you will discuss a painting in terms of formal theory; in other words, you will analyze how the meaning a work of art is shaped by its visual characteristics.
When artists began to create art in the nineteenth century that reflected the inner reality of the artist, they began to use color and form in highly subjective ways. In your post, please focus on a work of art by an artist discussed in this week’s reading. You can pick a work that is shown in your textbook or you can do a little research and choose something different. As you analyze the piece, please pay close attention to the formal choices made by the artist and consider the following questions:
-.Consider the composition: how does your eye move through the piece? What do you think is the focal point? How does the focal point relate to the meaning of the work as you interpret it?
This week I am not giving you a list of artists or specific works of art, but I encourage you to focus on a work that is associated with Fauvism, Expressionism (Die Brücke or Der Blaue Reiter),
There are three main strategies for analyzing works of art: contextual theory, formal theory, and expressive theory. Last week you used expressive theory to discuss a work of art by relating it to the life of the artist. This week you will discuss a painting in terms of formal theory; in other words, you will analyze how the meaning a work of art is shaped by its visual characteristics.
When artists began to create art in the nineteenth century that reflected the inner reality of the artist, they began to use color and form in highly subjective ways. In your post, please focus on a work of art by an artist discussed in this week’s reading. You can pick a work that is shown in your textbook or you can do a little research and choose something different. As you analyze the piece, please pay close attention to the formal choices made by the artist and consider the following questions:
-.How is color used? What is the visual impact of the color? Does it seem to have visual or psychological meaning?
-.What types of forms are evident in the work (organic, geometric, smooth, jagged, etc.)? How does this affect the way you experience the piece?
-.Is there a visual rhythm created by the repetition of forms and lines? How would you describe it?
-.Consider the composition: how does your eye move through the piece? What do you think is the focal point? How does the focal point relate to the meaning of the work as you interpret it?
This week I am not giving you a list of artists or specific works of art, but I encourage you to focus on a work that is associated with Fauvism, Expressionism (Die Brücke or Der Blaue Reiter),
For this assignment you will review a serial killer’s case in depth. The killer you choose to review will also be the subject of your Week 5 final assignment, so keep your research material handy.
First, choose one of the following serial killers:
David Berkowitz (“Son of Sam”) taunted police over a year and shot 15 people (6 died) in New York City. The movie “Summer of Sam” was about this time.
Gary Ridgway (the “Green River Killer”) holds the American record for most victims. He confessed to killing 48 over a 16-year period but is suspected of having killed many more!
John Allen Muhammad and Lee Boyd Malvo were the “DC snipers” who shot 13 people (ten died) over three weeks in the Washington DC area in 2002.
Ted Bundy: Confessed to almost 30 murders (there may have been more). He was known for being smart and good-looking, and acted as his own lawyer.
Jeffrey Dahmer: His case captured worldwide attention after his capture, mostly due to his habit of keeping parts of his victims long after their deaths, as well as cannibalism and necrophilia.
Determine which of the theories from Week 2 relate to this killer and show why you made this determination.
How did the killer select his or her victims? Was there anything that the victims did to provoke the killer? Are the victims in this case in any way responsible for their own deaths?
By analyzing all of the above information, you should now be able to propose a three-part typology and explain your analysis. Your typology should describe the killer’s motivation, location, and organized or disorganized factors. For instance, John Wayne Gacy might be described as a Power/Control, local, organized killer.
Be sure to support your main post and response post with reference to the week’s Learning Resources and other scholarly evidence in APA style.
Learning Resources
Required Readings
Ravitch, S. M., & Carl, N. M. (2016). Qualitative research: Bridging the conceptual, theoretical, and methodological. Thousand Oaks, CA: Sage Publications.
Laureate Education (Producer). (2010). Doctoral research: Ensuring quality in qualitative research [Video file]. Baltimore, MD: Author. Note: The approximate length of this media piece is 4 minutes.
In this media program, qualitative research expert Dr. Laura Lynn talks about the issue of researcher bias in the interview process.
Scholar of Change Video #3
Anner, J. (2015). John Anner, PhD student in public policy and administration [Video file]. Note: The approximate length of this media piece is 3 minutes.
In this media program, John Anner describes how he is using his Walden education to help NGOs build capacity and create solutions that address some of the world’s most-pressing problems—not only on a case-by-case basis but also on a global scale. As you observe, take notes using the Video Field Notes Guide.
Margaret Rossiter,Women Scientists in America, chapter 4: “A Manly Profession,” 73-99, notes
Sena Jeter Naslund, excerpt on Maria Mitchell from Ahab’s Wife
Nina Baym, American Women of Letters and the Nineteenth-Century Sciences, chapter 7: “Testing Scientific Limits: Emma Willard and Maria Mitchell”
Your paper should cite at least two readings from the above list within an argument based on the evidence from the texts. Build an argument within the paper considering aspects of barriers and facilitators women have faced in Western Europe and the U.S. in the early modern and modern periods and coming to a conclusion about today’s situation for women in science.
Focus on a particular question of your own construction that deals with the “how,” “why,” and “in what way” women’s participation in science was supported or challenged by individuals. Consider sociocultural and religious values associated with women’s roles in society that supporters and challengers used in defense of their arguments. Be careful to identify the authors, texts, historical periods, scientific fields, individuals, and other aspects of the cases that you develop.
Examples of questions you might choose to write about include:
How did women overcome resistance to persist and to promote their interests in science? What strategies did they employ? Were they effective? Why or why not?
Selecting and refining a question that you can respond to will help you develop a thesis statement.
Your short analysis should
briefly summarize significant points from the arguments illustrated in the readings you select
provide evidence from the readings for your hypothesis
The best analyses will reflect argumentative points or allude to evidence contained within the readings; indicate citations by incorporating parenthetical references, for example: (Baym, 246) into your assignment. Remember that the quality of citation counts more than sheer quantity of references.
If you have questions or would like to discuss developing the assignment, please bring these matters up in class or on the listserv. You may also make an appointment to see me in my office; please email or speak to me outside of class concerning appointments.
Presentation:
The essay should be typed using double spacing. Number each page. Use one-inch justified margins on the top, bottom, and left side and a ragged one-inch right margin. Staple pages in the upper left corner; please do not use any covers. Put the following on the top of the first page or the title page: the title of the essay, your names, the title of the course, my name, the semester in which you are taking the course, and the due date of the assignment. Put all references to class texts parenthetically within the text of the paper (see above); if you consult other materials, please indicate those with a short parenthetical reference and a works cited page
Last week you researched the history of your popular culture artifacts. You also examined the audience for your popular culture artifacts and how each affected the other. This week you look at how access to popular culture affects society.
Spend some time looking at the student-contributed resources posted in Doc Sharing. (Note: You will need to use at least one of these for this milestone.)
Consider the following:
How does the distribution mechanism control the issues addressed in the artifacts’ content?
Determine who controls the distribution of your chosen popular culture elements.
In what ways does the controller of distribution affect the shared experience of the audience and community? Keep in mind that a community may be local, regional, national, or global. Be specific in your discussion.
BY DAY 7
Submit a 700-800-word essay that addresses these questions as they relate to your chosen popular culture artifacts. Be sure to include:
At least one student-contributed resource from Doc Sharing
At least two other academically relevant sources listed below.
Please refer to attached files below.
*******The one student contributed resource to be used will be posted below and is necessary.********
Please provide detailed work with thorough understanding.
The topic is ” how to tame a wilde Tongue ” by Gloria Anzaldua. One sentence that stood out for me is “So, if you really want to hurt me, talk about my language”.
Story/Passage “How to Tame a Wild Tongue” by Gloria Anzaldua in the book “Ways of Reading”. We will write an essay where we mix personal and academic writing to convey an overarching theme, message or argument. Again, I am asking that you create arrangement based on an intentional method of organization, designed by you. Your subject for argument, however, is of your choosing. Likewise the Narrative moves you to make are also your own.
It’s a 5 paragraph essay that talks about the three charges of King Louis. The first paragraph should talk about the introduction of the three charges and the second one should be about the 1st charge and the third one should be about the 2nd charge and the 4th one should be about the 3rd charge which is the last charge. Lastly the conclusion to the three charges of King Louis. I need you to cite notations for the 2nd, 3rd, and 4th paragraph. Each paragraph should be 5-6 sentences. I need you to put the page number of where you got the information from and do not plagiarism please. Please have it in MLA format, and King louis was accused for various crimes of the people in France, his charges include 1, supporting unfair system of government that takes away rights from the citizens of his country, and 2, wasting tax dollars for his personal life and unnecessary rights and 3, hate crimes and discrimination against the Huguenots. And lastly is should be done in MLA format. I have attached a powerpoint on what the essay should be about. Please follow it.
Absolutely no plagiarism, must be original and very thorough. Please make sure everything is followed in the question and the grading rubric. Assigned articles are attached, please also use at least one other outside academic resource for question #2. Must include in-text citations. Must include specific real-life application (current events, work or personal experience, prior coursework, etc.) and/or other peer-reviewed research to support key points. No cover page needed but the questions should be separate. Please provide short but thorough sentences.
Supporting material: Attached
Question #1:
Case Discussion
This discussion will be split into three parts. We will discuss implementation of regulations,strategies for compliance, and cost consideration of the proposed legislation. Please look for the faculty’s lead question for each topic and reply to each. In addition to addressing the faculty’s lead question, please respond to your colleagues’ comments.
How do you expect the incumbent taxi operators to respond to the Uber’s entry into D.C?
Here is the question on cost consideration of the proposed legislation:
What should Uber do in the face of the proposed D.C. legislation?
Important note: You do not need to use outside reference for this discussion! Use those readings assigned to you for the course will be sufficient.
Question #2:
From the perspective of compliance and risk management, how would you apply what you have learned and researched in this course to improve compliance within an organization? Your response must include, but not limited to, issues on the culture, enforcement, and costs of noncompliance.
Please see grading rubric below. This assignment should be at least 4-5 paragraphs each and very thorough. Make sure you integrate real-life applications to support key points.
Case Discussion Rubric (2016)
Case Discussion Rubric (2016)
This criterion is linked to a Learning Outcome Quality of Initial Posting
Initial response displays an excellent understanding of the assigned case, the course readings, and the underlying concepts and includes the correct use of relevant terminology. Initial response additionally integrates specific real-life application (current events, work or personal experience, prior coursework, etc.) and/or other peer-reviewed research to support key points. Initial response is clear, concise, and compelling.
This criterion is linked to a Learning Outcome Mechanics
Entirely free of mechanical errors. These include: grammar, punctuation, spelling, and formatting (font style and size).
As a clinical social worker, it is important to understand group typology in order to choose the appropriate group method for a specific population or problem. Each type of group has its own approach and purpose. Two of the more frequently used types of groups are task groups and intervention groups.
For this Assignment, review the “Cortez Multimedia” case study, and identify a target behavior or issue that needs to be ameliorated, decreased, or increased. In a 2- to 4-page report, complete the following:
Identify the model of treatment group (i.e., support, education, teams, or treatment conferences).
Using the typologies described in the Toseland & Rivas (2017) piece, describe the characteristics of your group. For instance, if you choose a treatment group that is a support group, what would be the purpose, leadership, focus, bond, composition, and communication?
Include the advantages and disadvantages of using this type of group as an intervention.
Reference: Please Use the Following
Toseland, R. W., & Rivas, R. F. (2017). An introduction to group work practice (8th ed.). Boston, MA: Pearson.
Himalhoch, S., Medoff, D. R., & Oyeniyi, G. (2007). Efficacy of group psychotherapy to reduce depressive symptoms among HIV-infected individuals: A systematic review and meta-analysis. AIDS Patient Care and STDs, 21(10), 732–739.
Lasky, G. B., & Riva, M. T. (2006). Confidentiality and privileged communication in group psychotherapy. International Journal of Group Psychotherapy, 56(4), 455–47
Toseland, R. W., & Rivas, R. F. (2017). An introduction to group work practice (8th ed.). Boston, MA: Pearson.
Your first Assignment for History of Psychology will assess your understanding of the material you have learned in the first four units. You will be required to consider how philosophy and physiology have influenced early psychological thought and how that applies to psychology today.
Write a 2–3-page essay incorporating the following:
Provide examples of how the early theorists you selected would assess the case study example you created in this week’s discussion topic.
Requirements for this Assignment:
Your paper should include a title page, introduction with thesis statement, and conclusion. Below is a link to help you with your introduction and conclusion:
Your paper should be 2–3 pages, not including the title page or reference page.
Your paper should include a reference to the textbook. APA formatting and in-text citations must be used for each source referenced. When referencing the readings, be sure to use APA guidelines. Information regarding APA formatting and citation can be found in the Writing Center and should be reviewed thoroughly. Below is a link to the document: https://kucampus.kaplan.edu/MyStudies/AcademicSupp…
Your paper should use Standard American English including correct grammar, spelling, punctuation, and complete sentences and paragraphs. Your paper should be free of typographical errors.
Your paper should include a highly developed viewpoint and purpose.
Your paper should demonstrate superior organization. Communication should be highly ordered, logical, and unified.
You should follow these guidelines for your paper:
Title page
Main body of the paper — 2–3 pages
Reference page
Correct APA formatting for in-paper citations
Standard margins: 1″ on all sides
Standard 12-point font size
Standard double spacing: Average of 22 lines per page, and between 20 and 24 lines per page
Defend or refute this statement : The European Expansion was motivated purely by religious rivalries among the European powers.
1.PLEASE write 4 paragraphs ARGUMENTATIVE ESSAY (Introduction + body 1 use STRONG evidence and facts to DEFEND OR REFUTE This statement + Body 2 start it with a topic sentence that contradicts or elaborates on Body Paragraph #1 + conclusion)
Choose one of the topics below and answer it in 3-5 typed pages double-spaced. Demonstrate knowledge of citation practices by citing your textbook as a consulted work. You can pick any format to use (Chicago, MLA, etc.), as long as you are consistent. The textbook is called GARDNER’S ART THROUGH THE AGES 15th edition.I do not expect you to do any additional research as the information in this course and from the textbook should be sufficient. Because these topics below are broad, I will expect you to narrow the one you choose appropriately. Make sure to have a thesis statement and use examples from the art we have studied in this unit (chapters 1-7) to prove your thesis. Make sure you include examples from the majority of chapters covered.
Here are the topics in Bold with thought provokers following:
Describe the development of depicting the human form from Paleolithic art through the arts of Ancient near-East, Ancient Egypt, the Aegean and Greek cultures. Think about how humans are represented and what functions representation of humans have served. Is there in fact a clear “development”?
Use examples from the art we have studied to defend the statement, “representation is a matter of function.” In Western culture we often get caught up in the idea of “primitive” versus “realistic” imagery when in effect each culture creates signs and symbols and a method for delivering them. In other words, the art worked for the culture that produced it and you can explore different pictorial methods and devices and how they were effective for their respective cultures.
In what ways has architecture informed us of the cultures we have studied? What do we learn about a culture form their architecture? How is it unique from other art forms? How does architecture reflect and promote ideas?
Using the links to party platforms below, choose 4 issues that are important to you and tell me the party positions on each.You can complete a fifth for .5 extra credit.
Hi right now I have to do a short paragraph or abstract, and four sources typed written so if I accept you we have to do other task in the future which is 10 page research and this is the instructions so please so like what I need for today
Hi right now I have to do a short paragraph or abstract, and four sources typed written so if I accept you we have to do other task in the future which is 10 page research and this is the instructions so please so like what I need for today
Topic for the research paper must about or related to Africa or peoples of African descent globally. The topic can be about an event, idea, invention, a belief, a person, an organization or a movement related to Africa or black peopleglobally. The topic, a short paragraph or abstract, and four sources typed written due 9/21/18